A few weeks ago, after breaking the neck of the femoram, the crutches, Image’s fashion director Keyla Marquez running half marathon. This was just before the Paris Fashion Week for the Men’s Spring/Summer 2026 season, which we both plan to participate in, and I stayed with two options: I will resign myself to a Frida Kahlo summer, work, make arts, and hope to get visitors while injured in the seats and hope for the best. I chose the second, because I’m crazy.
The idea of crutches on the streets of Cobblestone was funny, ridiculous and potentially dangerous. He was guilty of crutches at the fashion week. When I chase the next show around the city around the city, or as a glacier, to see the fascinating body presentation without causing further damage, it went up the two marble stairs in an opera house, while the hollow metal crops fried in the stabbing in the leather belt or made it impossible to carry my belongings in anything other than the vintage Pra Fanny package. Keyla dubbed this version “Extrem Sports Juju ..
The crutches were the front and center in every experience last week – the first thing I think is the first thing people notice. They were a problem and an obstacle, yes, at the same time a punch line and an ice crusher. Both French and fashion people told me, “Girl, are you okay?“ No, kids, I wasn’t good. But the crutches were for better or worse this season, which made me aware of the accessories on the track. How can a small product that appears despite the extra thought can completely transform it – and in my case if – You’re moving in the world. I was obsessed, Baader-Meinhof-ed, and everywhere I looked at Paris last week, I saw accessories first and I saw everything else for the second time. All of them had a practical, completely aesthetic, ridiculous combination.
424
In the runway show of 424, the audience’s accessories challenged the air. Although Monnaie was close to 90 degrees in Paris, the participants appeared in leather dude on Fur Stoles and Jeans. La Stylist Marquise Miller put on the Intrecciato bottega veneta sunglasses to protect him from the beating sun. An immaculate accessory fashion boi He accused Toronto, who was wearing gas scarves and rings on his finger, of imitating me of injury. Guillermo Andrade, the creative director of the Cult La brand, framed the collection around everyone’s largest accessory: The Car. More specifically, every generation of Porsche 911.
The demonstration began with a series of Porsches, where Julez Smith’s son, Julez Smith, poured out of cars (in Juleez’s grandmother, in the audience supporting his grandson), where he spilled from the cars. The car for Andrade is more than an accessory – this is a way of life. Orum When I was at home, I spend a lot of time in my car, And Andrade said after the show. “Car, being free, independence is my first experience.” The latest view showed an old model with Bedazzled Porsche keys on a black clip connected to thin leather pants.
Louis Vuitton
The first day of PFW was also the last boss of Louis Vuitton Men’s Day – accessories. The show was a glittering show, as expected from Pharrell Williams at home. The choir of the screaming fans has become a film music to the pre-show moments, which announced that each celebrity, including Beyoncé and Jay-Z, came to the front row. Louis Vuitton says this season’s collection is inspired by modern Indian tailoring. The set of the show in the center of Pompidou was created in collaboration with Studio Mumbai, an Indian architectural company, and was imagined as a life -long snake and stairs game. The show had a stadium -style seating area, and when I was sitting in the third step, I questioned if I fell on my ass in front of Bradley Cooper and Pusha T. But fortunately, I survived for a long time to see the new versions of a fast patent bag in painted strips and gold embroidery in a deep steam bag, deep steam bag, deep vapor bag, deep vapor bag, deep vapor bag.
(Louis Vuitton)
Louis Vuitton bodies were of course rolled by models of the gears inspired by work clothes on the runway. Some versions were covered with jewels in paisley patterns, an antique feeling was given, the others were open and warm pink. However, what I cannot give up thinking is the Louis Vuitton Yoga bag, which is prone in a violet tone, designed with a yoga mat of the same color. Green otos, fluffy flip -flops (another accessory this season) and a model wearing a baby blue bombardment aircraft bag, leather -coated checkers were shown on the canvas.
Issey Miyake
(Frederique Dumoulin-Bonnet)
Paris was hot. And most of the things I wore were talking to my heat and crutches: flat shoes, Unfussy bags – everything that goes with aluminum and rubber. I could not wear anything physically and spiritually intervening or unnatural. Issey Miyake understands the functionality of men, but also takes tribes. Dressing for the deep, inner part that misses connecting to your own history and body. Issey Miyake Show felt like a club this season. It started with a full-bodied dance performance and ended, and accessories felt both organic and strange for a dance track-from an excellent leather belt bag to the sunglasses ventilated with multiple colored lenses to the biker lids in soft knitting.
Dries van Noten
(Gorunway) (Ulrich Knoblauch)
Next was Julian Klausner’s output for Dries van Noten Men. The strange, emotional accessories in this show reunite my nerves. There was satin Boxing boots Hot pink and periwinkle. Patchwork Floreral Sarongs on suits. Long sustainable sea shell necklaces that look like talisman. Salmon and coal, brown and black, dusty roses and camels, taupe and olives such as large -long bowler bags. Even Cumberbunds. The accessories in this collection lived somewhere in the spectrum between sophisticated and spirit – inspired by one morning on the beach after staying at a party all night.
Rick Owens
A girl never forgets the first Rick Owens runway. The SS26 men’s show, called the “temple ,, was talking with a retrospective at the“ Temple of Love ”in Palais Galliera, which refers to the birth of his first years in Los Angeles. “The exhibition is watching the search for attraction and Sleaze on Hollywood Boulevard and finally ends in a Paris Museum, Owens writes. For the runway show, models from a temple built from the pier before dived into the fountain in Palais de Tokyo.
Such a portion of the Rick experience felt natural in a fashion strange group covered with kisses, and the crutches between them felt natural in this context. Maybe even something that someone will do deliberately on a Rick show for Vibes. Shoe designs have been inspired by medical support devices for years, and this season continues with firing -inspired sandals, so why not? Here I saw another fashion victim in the crutches. We walked from each other and touched me like a punch -fist before I claimed me as a “sister.
(Owenscorp)
Other striking accessories, shields sunglasses, and the extra big cabin clips on the cable bundles that helped to raise the temple for a final show of the show.
Dior
The next day, while Keyla and I raised my leg, we watched Jonathan Anderson’s exit from Dior’s Airbnb and even screamed accessories from the screen. Dior details, volumes spoke-inneal pop-cultural references, the number of pleats in a pair of giant cargo shorts, a scattered style of a tie. The appearance fell to a place between the 18th century French noble and the middle California skater. Green crows and high upper wrestling style sneakers worn with a cross -body Messenger bag. Fisherman sandals and socks with tired lusty spring bonds and ties. At one point I just shouted in the room: “Keyla, backpacks!”
Kiko Kostadinov
Kiko Kostadinov Show was the last stop of the season before returning to Los Angeles for almost six days to Fashion Week, the crutches began to feel like an extension of the crutches. Nevertheless, it was a dangerous task to make the second floor of a parking space for the show. Nevertheless, the collection of work clothes, lounge clothing and evening clothes inspired by day and night in a fictional island town was worth it. The central part of the collection for the brand were materials: twill, knitting, groove cotton, leather, jacard, wool. My focus was on smaller things. Sandals foot socks. Of course, Asics. It is also an ultra thin strap with silver gromets with a waist bag. Sky blue crushed fabric belt chain. Belt stitches and jacket pockets unique jewelry. The collection spoke with futuristic-hyppi sensitivity that is unhappy with a past life. And this is the opportunity of accessories – communicate exactly where you are now, or remind you where you are. They have the potential to be more personal than anything else.
(With the permission of Kiko Kostadinov)
When I gathered my crutches and looking for a last uber to the airport, I knew what my accessory said about me. Probably the same reason I reached them in the first place was the same thing, the same reason I was in France for a broken femur for fashion week: I don’t know when to give up.
Leader Art Photos: “Wave patterned plate,” 1970, Iwate Museum of Art; Frederique Dumoulin-Bonnet; Ulrich Knoblauch; With the permission of Kiko Kostadinov; Owenscorp; Getty images.
