When you watch the “Matrix ında in Cosm, you actually watch a movie in a movie. A shot in an apartment becomes a look at an entire complex. The fight scene on a roof is now a small part of a giant city view. Look to the left and once an out -of -screen helicopter can be seen completely completely.
Cosm has won attention and fan base to focus on sports programming. A domed, 87 -meter -diameter Swaround display surrounds the audience in the Inglewood venue and creates an illusion of the presence of ten. Can’t you make this NBA Finals or World Series Game? Cosm wants to be your return plan by combining the front row seats with unexpected landscapes.
And now, Cosm aims to redefine the film experience. The revival of the “Matrix çıkmış opens up on Thursday, what the company calls the“ shared truth ,, ultimately under the original 1999 film, which means the newly created CGI animation towers and around the original 1999 film. Cosm showed greatly short -shaped original programming in the past, and “matrix” points to the first raid on the first feature films.
Carrie-Anne Moss and Keanu Reeves, the newly created CGI surrounding the original framework, and “Matrix” opened in Cosm.
(Cosm)
Umut is not only to see the film with fresh eyes, but also to create a feeling of being in the same environment as Keanu Reeves ‘Neo, Carrie-Anne Moss’ Trinity and Laurence Fishburne’s Morpheus. “Matrix” is an ideal film for this experiment, Ai Anti-Mesage is definitely topical, themes are struggling with the dual visions of reality.
For decades, a series of immersive ambitions to change cinema experience, whether interactive cinema and open and closing flirt, Netflix in the 90s (see “Black Mirror: Bandersnatch”), more animated seats (see “see“ see “see“ see “see“ see “see“ see “see“ see “see“ see A screen that can provide an unprecedented point of view, sometimes that can create a sense of movement -like movement like the theme park.
Cosm’s interpretation of “Matrix”, which is a cooperation with the experiential creative agency Little Cinema, envelopes the audience from the series of opening action when the night view of a city silhouette places us on a roof. Elsewhere, Neo’s office building becomes a cabin labyrinth. The center of the film is the red pill and the blue pill moment, the frame is the centers between large size, shining capsules. When Neo awakens, we disappear in the middle of the mountainous, industrial capsules.
Difficulty: Knowing that he does not feel like a trick, when he will still retreat and allow the film to stop. Little was to develop and overshadow the number 1 basic principle, Jay said Jay Rinsky, the founder of Little Cinema. “For us, we are the chief singer and support group of the film itself. Let the film become a star. Sing
The red and blue pill scene in “Matrix ılmış is framed by the newly created animation.
(Cosm)
As the film is competing towards the climax, the accompanying images become more aggressive. The animations are most effective when they expand the screen instead of reiterating the action – instead of repeating or imitating a rhythm of the film, for example, a care helicopter shows the perspective of a helicopter. After seeing the “Matrix” before, I know the story and the cadence, and perhaps more willing to remove my attention from the film, which was placed at the center of the screen and usually placed in a picture frame.
In contrast, I dazzled from the scenes taken in Morpheus around Morpheus around the screen – the bustle, electrical seeds and monitor diversity of the ship’s environment. Film Safists, I am curious, he can see the images beyond the director’s vision – Rinsky says he’s not in contact with the directors Lana or Lilly Wachowski – but I found that this can help to build a world for the revival cinema, especially in the second or third monitoring.
The “Matrix” scene, played by Carrie-Anne Moss, is surrounded by a completely emerging appearance.
(Cosm)
As expected, the last action of the film becomes a secondary action. Bullets flying from the frame of the film find a landing point as the building walls are shattered and torn around us. Cosm’s screen is clearly used in net and mimicing the movement or flight, and thankful that it is used in a small amount, only when the characters of the film pass to the sky.
When COSM opened last summer, CEO Jeb Terry stressed that the place is not in the business showing film and they want to focus on sports or original programming. “We’re not the first run theater, Terry Terry said. “We’re leaning on the experience side.” Apparently, “Matrix”, the accompanying CGI images have been in the works since August 2024, says Rinsky, with the majority of heavy lifting in January.
Rinsky admits that “Matrix ıyla fits the format in particular, because it is fast to add Cosm and Little Cinema to expand the development of Hollywood products. “This is a little task and a philosophy, or he says. “Every kind of film of all kinds has its own propositions and may be acceptable and very appropriate. We are excited about fear and we are excited about comedy.” Future projects have not yet been announced.
Cosm also has a place in Dallas, on the road in Atlanta and Detroit. Rinsky’s hope is, of course, that Cosm has sufficient market penetration that one day filmmakers can form a format from the ground.
Orum I’m really opening a bull that this is a new cinema, Rins Rinsky says. “I think in five to 10 years, there will be 100 of them. When it hits the scale, there will be versions of Big Studios specially created for this format.”
An optimistic appearance of the future that comes to a deterioration time in Hollywood from the streams from the flow market to artificial intelligence. For Cosm, the first days, but a vision that requires neither red nor blue pill. The appearance is much more rose colored.
